Temple church in London

The Temple is of course one of the things to see in London, one of the oldest churches in the city, used to belong to Knights Templars (hence the name, though the knights are long gone). It is a characteristic church that crusader orders built in Europe, a rectangular church with a rotunda in the west (like the church of the Sepulchre in Jerusalem). The calligraphy is in the rectangular part, which is Gothic, obviously built later than the Romanesque rotunda. During the Cromwell era calligraphy instead of pictures were produced. Here is one of the best examples I know: a prayer written in antiqua calligraphy, with even shadows added to each letter, and framed like a picture. Apparently in England for a time it was a custom to frame prayers like pictures and hang them in churches.

Handwriting of the 19th century

 As I was in Barcelona in February 2024, completely by chance I saw an exhibition of handwritten musical scores in Palau de la Musica Catalana. I can't even read a music score, but I took a few pictures anyway because there were some titles etc. in normal writing. Some of them are dated.

All this is written in a normal writing style of the time. Very likely a pen with a metal nib was used, a very pointed nib, which would produce a very thin line , but it could also produce a slightly thicker line when pressed. Only the lines going down or from left to right cold be made thicker, if the nib was going up, the line had to be very thin. 

This was actually the way I still remember being taught. Only the earliest lessons, soon the ball pointed pens took over. But still it makes me see how a script like this was written. 

I guess it was just a fleeting exhibition, but anyway, it was there. 

Rabat

 The country called Morocco today was in the Roman times a province of the empire called Mauretania. Roman remains are therefore no surprise there. Some can be seen in the capital Rabat, in the part of the town called Chellah. There are Roman ruins there, including some stelae with Roman inscriptions on them. Some inscriptions are in the elegant capitalis quadrata, some in what I called capitalis rectangularis and some even in rustica. Anyway they are clearly Roman inscriptions, written in Latin.

Some of those inscriptions are written in what we call "rustica", which was used as a bookhand at the time. It required less turning of the hand to write serifs, consequently it was easier to write books, but as a result horizontal serifs tended to be thicker that vertical lines. It gave a kind of rhythm to a page.

Torun town hall

Again Torun, Copernicus birthplace, this time Renaissance calligraphy cut in stone and placed on the wall of its mediaeval town hall. There are several plaques on thet wall, one of which I found particularly interesting.

Apart from the fact that I find this antiqua very graceful, what amazes me here is the stonework. Obviously it is something harder than limestone, letters are as if between the lines that mark the depression delineating them. Higher or lower letters have separate depression around them, but it somehow still is graceful.

I don't see any date on this stone but a neighbouring one, (cut in a similar way but in a less durable stone and now weathered), has a date 1680 (which would of course suggest it doesn't really date from the Renaissance era).

 

There is a book available, based on this blog.  

On the blog there is, so to speak, more room, one can show more illustrations there. Blogs, however, come and go, there is no certainty that it will be there ten years from now. The book, on the other hand, once you acquire it, will last, one can be sure of that.

Bodleyan Library

 The famous library of Oxford University is one of the things to see when you visit that town. It was founded by Sir Thomas Bodley, one of the gentlemen of the first Queen Elizabeth, but it certainly contains books older then her time. Some are mediaeval manuscripts. A free exhibition there usually shows a couple of ancient manuscripts but these are certainly not always the same.

This I know because I visited the place several times and saw different books. First time I saw a book, written in Carolingian minuscule that supposedly belonged to Margaret queen of Scots, as well as a book by Christine de Pisan written in early 15th century bastarda. Unfortunately I didn't have a good camera with me, but I had something. Another time I saw an English Psalter from 14th century written in elegant textura. This time I had a better equipment to take a picture.

There is a book available, based on this blog.  

On the blog there is, so to speak, more room, one can show more illustrations there. Blogs, however, come and go, there is no certainty that it will be there ten years from now. The book, on the other hand, once you acquire it, will last, one can be sure of that.

DAPIFER CRACOVIENSIS

 The palace of bishop Erazm Ciołek in Cracow now houses a museum where one can see Cracow's Gothic painting. One of the pictures one can see there is the epitaph of Wierzbieta z Branic, which is not a stone monument but a framed painting with a pretty calligraphy on the frame. The inscription is of course in Latin, praising (as not unusual on an epitaph) dapifer Cracoviensis Wierzbieta de Branice. "Dapifer" was a high rank on the royal court, whereas Branice was the village the said dapifer was from.

There is no date but the style of the painting suggests the first part of the 15th century.

There is a book available, based on this blog.  

On the blog there is, so to speak, more room, one can show more illustrations there. Blogs, however, come and go, there is no certainty that it will be there ten years from now. The book, on the other hand, once you acquire it, will last, one can be sure of that.

Calligraphy triptych in London's National Gallery

 In London's National Gallery there are, of course, plenty of pictures, but I spotted one triptych that had a picture in the middle but calligraphy on its wings. The description next to it says that it was by a Flemish painter and dated around 1485. It (the script) does look like a something between mediaeval textura and Baroque German fraktur. I have seen similar script, this time cut in stone, in a Flemish town of Bruges. It was undated (or at least I could not see any date) but this picture here gives an idea when the script was used.

There is a book available, based on this blog.  

On the blog there is, so to speak, more room, one can show more illustrations there. Blogs, however, come and go, there is no certainty that it will be there ten years from now. The book, on the other hand, once you acquire it, will last, one can be sure of that.